I have always been drawn to collaboration—not as a strategy, but as a necessity. There are things I cannot see on my own, things I cannot hear without another perspective. Working with other artists is not just about combining skills. It is about expanding perception, dissolving personal limitations, and creating something that neither could have […]
Art is not just something we see or hear. It is something we feel. I am interested in how sound and image create emotional depth—not through narrative, but through form, texture, and time. A single sustained note can create tension or calm, depending on context. A sudden cut to silence can feel more dramatic than […]
I have always been drawn to the way senses overlap—to the moments when sound is not just heard but felt, when light is not just seen but perceived as movement, rhythm, or emotion. In my work, I often seek these intersections, where sound and image dissolve into each other, forming something beyond their separate existence. […]
Silence is never empty. It is filled with tension, with expectation, with the weight of everything that has not yet happened. When I work with sound, I find myself just as focused on what is missing as on what is present—on the space between tones, the moments where sound dissolves, and the voids that shape […]
Audiovisual art has never been a single movement. It is a continuous experiment with the relationship between sound and image, evolving alongside technological advancements and artistic revolutions. From early abstract films to generative digital environments, this journey traces the milestones that shaped audiovisual expression. 1. The Birth of Audiovisual Art: The Avant-Garde (1910s–1930s) Sound and […]
Art does not just exist in time. It exists in space. An audiovisual installation is not just about what is seen and heard—it is about how perception shifts when sound and image interact with the environment itself. Space as a Living Composition Unlike traditional performances, where the audience watches from a distance, installations immerse people […]
There is a moment in every live performance when structure dissolves—when sound and image stop being controlled elements and start responding to the space, to movement, to the energy of the room. This is where I feel most present. Improvisation, for me, is not an effect or a technique—it is a way of existing within […]
Perception is not fixed. It shifts, it adapts, it is shaped by context, memory, and expectation. When I create, I am not just working with sound and image—I am working with perception itself. I don’t ask, What does this sound like? or What does this image mean? Instead, I ask: How is this being perceived? […]
Technology is often seen as a means to an end—a tool for creating, refining, distributing. But for me, technology is not just an extension of artistic practice; it is an integral part of the process itself. The evolution of tools does not simply change how we create—it changes what we create. It reshapes our perception, […]
There is a certain rhythm in nature—one that exists outside of human time, beyond structured beats or fixed compositions. When I listen to the wind shifting through the trees, or the layered hum of insects at dusk, I hear something that is both chaotic and deeply ordered at the same time. In my work, I […]
