A Dialogue Between Perception and Reality

I don’t see art as a product or a finished form—it’s an ongoing dialogue. A shifting space between presence and absence, between what is seen and what is felt. My work exists in this threshold, where sound, image, and motion interact, dissolve, and reassemble.

I never aimed to separate music, photography, and video. They emerged together, as different ways of asking the same question: what lies beneath perception? My role is not to provide answers but to create spaces where sound and vision can be experienced freely, without predefined meaning.

Sound as Insight

I don’t compose in the traditional sense. I listen.

For me, sound is more than an audible structure—it’s a way of sensing the world, a tool for observing the tension between motion and stillness. Sometimes, it’s about absence just as much as presence.

  • My ambient and electroacoustic works come together through interaction, shaped as much by silence as by resonance.
  • Improvisation is essential—it allows the music to emerge organically, as a response to the moment.
  • I often use custom-built software to “paint” music live, where frequencies and visuals evolve in parallel.

A piece is never complete. It changes with every listening, every space, every person who enters it.

Photography: Stillness in Motion

A photograph is often perceived as a static fragment, but I approach it as something fluid, something unfolding.

I work with images the same way I work with sound—not to document reality, but to explore what happens in the space between seeing and remembering.

  • I’m drawn to minimal forms that contain hidden depth, where textures and light shift meaning over time.
  • A photo, like a sound, doesn’t need a fixed interpretation—it should exist as a space where the viewer’s own experiences complete it.

I don’t search for subjects. I observe. And sometimes, an image finds its way through.

Video and Installations: Time as Texture

My work with moving images follows the same principles as my approach to sound: letting perception lead, rather than controlling the outcome.

  • In my installations and performances, I work with projections and visuals that don’t simply accompany sound—they react to it.
  • Some moments are stretched, others dissolve completely, revealing the underlying rhythm of silence, movement, and resonance.
  • I want the audience to experience these works not as observers, but as participants, stepping into an environment where sound and vision unfold in real-time.

Everything exists in relation to something else. There is no isolated image, no isolated sound—only the interaction between them.

Beyond Borders: Connection Through Art

I grew up in an environment where borders—both physical and conceptual—felt meaningless. Sound has always been my way of reaching beyond language, beyond definition.

  • My work is shaped by ideas of unity, movement, and shared experience.
  • I don’t see art as self-expression—I see it as a form of communication, a way to create spaces where connection happens.

I don’t believe in absolute meaning, but I believe in shared moments of perception.

Today and Beyond

I live and work in Finland, on an island where silence is always present. I move between sound and stillness, between the rhythm of the sea and the rhythm of my work.

I don’t know where this process will lead next. That’s the point.

  • To listen deeply.
  • To see beyond the visible.
  • To stay open to the unknown.