I have always been drawn to collaboration—not as a strategy, but as a necessity. There are things I cannot see on my own, things I cannot hear without another perspective. Working with other artists is not just about combining skills. It is about expanding perception, dissolving personal limitations, and creating something that neither could have […]
I have always been drawn to the way senses overlap—to the moments when sound is not just heard but felt, when light is not just seen but perceived as movement, rhythm, or emotion. In my work, I often seek these intersections, where sound and image dissolve into each other, forming something beyond their separate existence. […]
Silence is never empty. It is filled with tension, with expectation, with the weight of everything that has not yet happened. When I work with sound, I find myself just as focused on what is missing as on what is present—on the space between tones, the moments where sound dissolves, and the voids that shape […]
There is a moment in every live performance when structure dissolves—when sound and image stop being controlled elements and start responding to the space, to movement, to the energy of the room. This is where I feel most present. Improvisation, for me, is not an effect or a technique—it is a way of existing within […]
Perception is not fixed. It shifts, it adapts, it is shaped by context, memory, and expectation. When I create, I am not just working with sound and image—I am working with perception itself. I don’t ask, What does this sound like? or What does this image mean? Instead, I ask: How is this being perceived? […]
There is a certain rhythm in nature—one that exists outside of human time, beyond structured beats or fixed compositions. When I listen to the wind shifting through the trees, or the layered hum of insects at dusk, I hear something that is both chaotic and deeply ordered at the same time. In my work, I […]
